In the 1840’s, when photography was invented, a few art critics declared: “Now painting is dead”.
Since painters had lost the portrait business and because of the close relationship between reality and this new medium, painting went on to die quietly and rose from the ashes of truth to experience romanticism, surrealism and abstract expressionism! The range of expressions on contemporary canvases is broader than ever.
In the second half of the 1990’s digital photography started to shake our convictions: “Is photography telling us the truth?” The manipulations allowed by digital technology and the computer make it possible for everyone to erase the dismissed lover or the unwanted wrinkles, just like the politicians and advertisers have been doing for quite a while. The relationship between the truth and reality is, today, at least tenuous if not erased. Photography, like any medium is now free from the ropes that once bounded it to the outside reality. The artists can now fully explore the truth within; they can express themselves and show us their inner realities.
In this renewed photography, Eric with his carefully constructed decisive moments expresses as closely as possible Henri Cartier- Bresson’s famous definition: “To photograph is to align the brain, the eye and the heart on the same line of sight.” Because Eric is not attempting to show us anybody’s truth but his, he moves up one big notch on the scale of expression and this allows him to bridge the gap between Western and Eastern cultures and to speak to all of us. I do not know if it is the “decisive moment” but it surely is a delicious one.
Alain Jullien - April 2009
Photography curator, founder of Pingyao photo festival and Guangzhou photo biennale